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     The last 
    of the Angampora gurus existed during the Kandyan kingdom. The sport, that 
    had withstood the test of time, faced its biggest challenge during this era. 
    The British, two years after capturing Kandy and gaining control over the 
    entire island, passed a law to ban Angampora in 1817. 
     
    The penalty for anyone found practising the art was harsh. Those who 
    breached this law were shot below the knee. Many gurus and students gave up 
    the art in fear of punishment. The high status the sport had earned was lost 
    and it was looked upon as the game of criminals and vagabonds. However, a 
    few continued to practise this traditional art in secretive places. 
     
    The weapons 
    A variety of weapons are used in Angampora. One of the most lethal weapons 
    is the 'Velayudaya', a whip like apparatus made of four double-edged 
    flexible strips of metal. A practitioner uses a pair of this apparatus to 
    obtain maximum effect. However, only the most experienced fighters use these 
    weapons, as there is a risk of cutting oneself badly while lashing out at an 
    adversary. 
     
    Then there is the combat sword. This thick instrument is custom made for the 
    fighter. The length of the sword is similar to the distance between the 
    fighter's fingertips and his under arm. A smaller variety of sword, known as 
    the 'Keti Kaduwa', is also used. This is used together with a small shield 
    or 'Paliya', which is about the size of a standard wall clock. 
     
    The technique 
    A beginner is first taught basic warm up exercises. Later a student is 
    taught more specialized exercises which are connected to the art. Once a 
    student is found competent in performing these specialized exercises he or 
    she progresses to the actual art of combat. 
     
    The first skill a student learns is the `Mulla Panina' exercise or basic 
    foot movement. This is done to the rhythm of the geta bera drums, a movement 
    that takes the form of a dance. The basic principle behind Mulla Panina is 
    to learn to use one's feet. This will help a practitioner of Angampora to 
    sidestep an attacker and keep one's balance at all times. 
     
    Once this basic foot movement is mastered a student learns a more advanced 
    foot movement known as 'Gaman Thalawa'. Gaman Thalawa is structured around 
    the movements of big cats. This feline like movement makes the fighter move 
    in a rhythmic semicircular pattern, similar to the moving pattern of an 
    angry tiger in a cage. 
     
    This foot movement coupled with Ath Haramba or hand movement results in what 
    is known as Amaraya. Amaraya is the use of Gaman Thalawa in a sparring 
    contest against an opponent. The contest between two as mentioned at the 
    beginning of this article was an Amaraya. Here the two opponents move around 
    sizing each other up in rhythmic feline like movements. 
     
    Then there are the three main hand movements or Harambas. I already 
    mentioned the Ath Haramba, which is the use of one's bare hands in combat. 
    In Ath Haramba the student is taught to take on the attacks of adversaries 
    from four directions. An integral part of this is the knowledge of targeting 
    sensitive points in the body when striking an opponent.  |